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An Archival Discovery by Mrs. Yvette



Some chapters of Black history are repeated so often that they have become familiar landmarks of their own. Others remain tucked away in old photographs, military records, handwritten letters, and places most people pass without ever knowing what happened there.


The Mauna Loa Trail in Hawaiʻi is one of those places.


Stretching across the volcanic landscape of Hawaiʻi Island, the trail climbs through hardened lava fields toward the summit of Mauna Loa. Visitors come to admire the mountain, photograph the clouds drifting across the dark volcanic slopes, and take in the Pacific sky spreading beyond the horizon.


What many of them do not know is that Black soldiers helped create the path beneath their feet.


The Buffalo Soldiers Arrive in Hawaiʻi


In 1913, members of the United States Army’s 25th Infantry Regiment arrived in Hawaiʻi. The regiment was made up of Black soldiers who belonged to the proud military tradition now remembered as the Buffalo Soldiers.


They served their country during a time when that same country continued to deny Black Americans equal rights. Even in uniform, they lived and worked under the restrictions of segregation and racial discrimination.


Two years after their arrival, soldiers from the 25th Infantry were given an extraordinary assignment.


In 1915, they were sent into the rugged volcanic terrain of Hawaiʻi Island to help construct a trail leading from the area near Kīlauea toward Mauna Loa. Working with picks, shovels, and hand tools, the soldiers cut a route through sharp lava rock, steep slopes, unpredictable weather, and difficult mountain conditions.


The work was physically demanding, yet the trail was completed with remarkable speed.


Their labor created greater access to the mountain for military personnel, scientists, researchers, and future visitors. The soldiers also helped build a shelter near the summit that could be used by those studying the volcano.


Black hands helped create a passage into the clouds.


Yet, like so many places shaped by Black labor, the trail became better known than the men who built it.


That is why historical landmarks must sometimes be viewed with more than a tourist’s eye. A beautiful landscape can also be a worksite. A hiking trail can also be a record. The ground itself can carry a history that was never properly marked.


Black Life in the Hawaiian Kingdom


The story of Black people in Hawaiʻi did not begin with the Buffalo Soldiers.


During the nineteenth century, Black sailors, craftsmen, laborers, and businessmen traveled across the Pacific aboard whaling vessels and merchant ships. Some remained in the Hawaiian Kingdom and established lives far beyond the racial boundaries imposed upon them in the United States.


One of the best-known early Black residents was Anthony D. Allen.


Born into slavery in New York, Allen eventually gained his freedom and settled in Hawaiʻi during the early 1800s. There, he became a respected businessman, landowner, and member of Hawaiian society.


His life challenges the narrow way Black history is often presented. Black people were not confined to Southern plantations or Northern cities. They crossed oceans, entered kingdoms, built businesses, purchased land, and created new lives in unfamiliar places.


Their presence in Hawaiʻi reminds us that Black history has always been larger than the borders America attempted to place around it.


Two Histories That Must Be Told With Care


Any discussion of Black history in Hawaiʻi must also honor the Kanaka Maoli, the Indigenous Native Hawaiian people whose culture, land, and sovereign kingdom existed long before Hawaiʻi became part of the United States.


Native Hawaiian history and Black American history are not interchangeable. They are separate histories shaped by different cultures, experiences, and struggles.


Still, there are places where those histories meet.


Both communities have endured displacement, cultural erasure, political domination, and the struggle to preserve their identities in the face of American expansion. Both histories show what happens when powerful institutions attempt to rename, control, or forget a people.


Recognizing those connections does not require blending the two stories together. It requires telling each one honestly and respectfully.


What the Trail Still Carries


Standing along the Mauna Loa Trail, I would not see only a pathway carved through volcanic stone.


I would see evidence.


Evidence that Black soldiers were present.


Evidence that their labor mattered.


Evidence that even when history failed to place their names on a monument, the land continued to carry their footsteps.


Some landmarks rise above cities in bronze and marble. Others are marked by plaques, statues, and carefully preserved buildings.


But some landmarks are quieter.


Sometimes a historic place is a road, a cabin, a trail, or a stretch of land whose full story has been waiting for someone to ask the right questions:


Who built this?

Who lived here?

Who benefited from their labor?

And whose name was left out?

That is the purpose of archival work.

We are not rewriting history.

We are returning the missing pages.


— Mrs. YvetteKeeper of Memory, Solari Archive

 
 
 

Good morning, and welcome to Solari.


I'm Mayor Delona Ross, and it is my honor to welcome you to one of the most vibrant, resilient, and inspiring cities you'll ever have the privilege to experience.

Here in Solari, we believe every person has a story worth telling.

Our city wasn't built overnight. It was built by teachers who stayed late to help one more student. By small business owners who opened their doors before sunrise. By artists who painted our history on brick walls. By musicians who gave our neighborhoods a soundtrack. By families who planted roots here generations ago and chose to believe tomorrow could always be better than yesterday.


That spirit still lives on every single day.


Whether you're walking through our historic neighborhoods, supporting a local business, attending one of our community events, discovering a new artist, or simply sharing a conversation with a neighbor, you're helping write the next chapter of Solari.

We're proud of our history, but we're even more excited about our future.

Across our city, you'll find innovation alongside tradition. You'll see entrepreneurs opening new businesses, students preparing to become tomorrow's leaders, families creating memories in our parks, and communities working together to make every neighborhood stronger than the last.


Institutions like Honey Legacy Academy, generations of family-owned businesses, our artists, educators, tradespeople, and community organizations remind us that lasting success is measured not only by what we achieve, but by what we leave behind for those who come after us.


As your mayor, my commitment is simple: to ensure Solari remains a city where opportunity is within reach, creativity is celebrated, history is honored, and every resident feels seen, heard, and valued.


Whether you've lived here your entire life or you're discovering Solari for the very first time, know this:


You belong here.


So take your time.


Explore our neighborhoods.


Meet the people who make this city extraordinary.


Support a local business.


Attend a community event.


Read a new story.


Create one of your own.


Because here in Solari, every block has a heartbeat, every voice matters, and every chapter helps shape the future of our city.


On behalf of the City Council, our dedicated public servants, and the people of Solari, welcome home.


I'm Mayor Delona Ross.


We're glad you're here.

 
 
 

In an exclusive interview with Nova Banks, the founder of Brighter Horizons Development reveals the history, culture, and community-centered vision behind Solari District’s forthcoming amusement park.



By Nova Banks

Solari District Magazine



Article

The architectural plans covering Asha Bennett’s desk look less like the beginning of an amusement park and more like the blueprint for a small city.

Color-coded pathways weave between performance spaces, restaurants, gardens, public art, and towering attractions. A wide promenade stretches from the park’s entrance toward a glowing Ferris wheel. Nearby, a roller coaster rises above a waterfront-inspired boardwalk, while a large green lawn provides space for everything from family reunions to outdoor concerts.


At the center of it all is one name: Joyland.


Bennett, the founder and CEO of Brighter Horizons Development, has spent years imagining what a major entertainment destination could look like when Black culture is treated as the foundation rather than a seasonal theme.


Now, her company is preparing to bring that vision to Solari District.

“Joyland will have rides, but it cannot only be about the rides,” Bennett says. “We are building a place where music, food, art, history, business, and family all exist together.”


The proposed amusement park will become the largest project undertaken by Brighter Horizons Development, a Black-owned company focused on creating spaces that generate both economic opportunity and community pride.

For Bennett, development is not simply about constructing buildings. It is about determining who those buildings serve, what stories they carry, and what remains after the ribbon cutting is over.


“I never want Brighter Horizons to enter a neighborhood, build something beautiful, and leave the people who were already there standing outside of it,” she explains. “The community should be part of the vision, the workforce, the business opportunities, and the experience.”


That philosophy sits at the heart of Joyland.


Rooted in History


The inspiration for the park began with Bennett’s research into historic Black amusement parks, beaches, and recreation destinations.

During segregation, Black families were frequently denied access to white-owned amusement parks and public leisure spaces. In response, Black entrepreneurs and communities created destinations of their own—places where families could swim, dance, hear live music, operate businesses, and enjoy themselves without being treated as unwelcome guests.


Those spaces included Suburban Gardens in Washington, D.C.; Carr’s Beach in Maryland; Bay Shore Beach in Virginia; Sea Breeze in North Carolina; and other recreation destinations that became important centers of Black social life.

Bennett was struck not only by what those places offered, but by what they represented.

“Our history includes struggle, but that is not the only thing we inherited,” she tells Nova Banks during their conversation. “We inherited imagination. We inherited music, style, entrepreneurship, laughter, and the ability to create community wherever we were allowed to stand.”


Joyland will acknowledge that history through the names of several signature attractions.


The Suburban Gardens Wheel will serve as one of the park’s most recognizable landmarks, offering sweeping views of Joyland and the surrounding Solari skyline.

Carr’s Beach Boardwalk will bring together games, shopping, live entertainment, food, and a festive waterfront-inspired atmosphere. The Bay Shore Coaster will become the park’s major thrill attraction, while Sea Breeze Promenade will provide a slower-paced district designed for dining, strolling, and gathering beneath the lights.


The names are not intended to function as decoration.

Bennett wants each tribute to introduce a new generation to the Black recreation spaces that came before it.


“I want a child to ask why the Ferris wheel is called Suburban Gardens,” she says. “That question creates an opportunity for a parent or grandparent to share something. The history becomes part of the memory they are making that day.”


Designed for the Culture


Joyland’s connection to Black culture will extend far beyond the names of its attractions.

Visitors entering the park will move through a grand plaza filled with murals, music, landscaping, and design details inspired by Solari District. Rather than separating cultural programming into one designated corner, Bennett plans to carry it throughout the entire property.


At Joyland Sounds Plaza, local DJs, musicians, singers, and touring performers will take the stage throughout the year. The park’s Mural Walk will feature rotating large-scale work from Black artists, while the Family Reunion Lawn will provide space for festivals, movie nights, cookouts, reunions, and community celebrations.

Food will receive the same attention as the rides.


Mama Pearl’s Soul Food Hall is planned as a collection of kitchens and vendors serving everything from traditional comfort food and barbecue to coastal dishes, sweets, and contemporary interpretations of familiar favorites. Additional kiosks and restaurant spaces will be reserved for local businesses and rotating Solari vendors.

“I do not want people walking around Joyland eating food that could have come from any park in any city,” Bennett says. “The food should have a point of view. The music should have a point of view. The art should have a point of view. You should know exactly where you are.”


That sense of place is important to Nova Banks, who asks Bennett why Solari was selected for a project that could have been developed in a larger tourism market.

Bennett does not hesitate.


“Because Solari deserves a landmark.”


She points out that the district already possesses the culture developers often attempt to manufacture after arriving in a community: artists, entrepreneurs, neighborhood institutions, music, fashion, restaurants, stories, and a strong local identity.


“Joyland is not coming here to give Solari an identity,” she says. “Solari already has one. Our responsibility is to build something that respects it and gives it more room to grow.”


A Park With an Economic Purpose


Brighter Horizons Development expects Joyland to create opportunities well beyond the park gates.


Current plans include local hiring initiatives, apprenticeship and training programs, vendor partnerships, performance opportunities, and storefront space for businesses from throughout Solari District.


Bennett is especially interested in introducing young residents to the many careers involved in developing and operating a major attraction.


An amusement park requires architects, engineers, designers, electricians, mechanics, landscapers, performers, chefs, security professionals, hospitality workers, marketers, accountants, and technology specialists. Bennett wants Joyland to become a place where young people can discover those industries while seeing Black professionals represented throughout them.


“I want a child to look around and understand that people who look like them imagined this, financed it, designed it, built it, and operate it,” she says. “That changes what they believe is possible.”


The company is also exploring an interactive attraction devoted to Black recreation, travel, music, and entrepreneurship. Bennett stresses that it will not resemble a traditional museum placed awkwardly inside an amusement park.


The history, she says, must remain engaging.

“It should move. It should have sound. It should have color. It should feel alive,” she explains. “We are not trying to interrupt the joy to teach the history. We are showing people that the history and the joy have always belonged together.”


The Future of Joyland


Joyland remains in the development and planning stage. Brighter Horizons has not yet announced an official opening date, but additional information regarding construction, community partnerships, vendor applications, employment opportunities, and attraction designs is expected as the project moves forward.


There will undoubtedly be questions about cost, traffic, development timelines, and whether such an ambitious project can deliver on its promises.

Bennett understands the weight of those expectations.


She also understands what Joyland could mean if Brighter Horizons gets it right.


She imagines elders recognizing pieces of history that were rarely preserved. She imagines adults becoming children again beneath the lights of the boardwalk. She imagines families returning year after year until Joyland becomes part of their own traditions.


Most of all, she imagines Solari residents looking at the finished park and knowing it belongs there.


“We are not just opening an amusement park,” Bennett says, glancing down at the plans spread across her desk. “We are creating a place where our stories, our joy, and our future can live out loud.”


Pull Quote

“We are not trying to interrupt the joy to teach the history. We are showing people that the history and the joy have always belonged together.”


— Asha Bennett, Founder and CEO of Brighter Horizons Development






 
 
 

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